




We had dinner last night with old friends, the kind of friends where the light lingers until it becomes night, when the wine bottles are emptied long before the conversations are done, when the talking continues past even after the mosquitoes have given up and gone to sleep. A perfect summer evening. So why did I end up crying as I said my good-byes? Was it just because I miss my friends and was sad to leave? Or was it because somewhere between the home grown tomatoes, mozzarella and basil and the seemingly endless bowl of cherries, I realized I was soaking up more than good food, drink and friends. What brought tears to my eyes, was this - I realized I had reconnected with the oldest friend I had. Someone I really enjoy and admire and who I used to look up to for her bravery. Who did I find? Myself.
As I drove the other day, I was moved by Lloyd Schwartz's piece on "Rivals in Renaissance Venice," the new exhibition at Boston's Museum of Fine Arts. He spoke of Titian being the first to use canvass instead of wood and stone, of the sensuality canvas not previously allowed by flatter, more non-absorbing materials.
If I were to paint my grief right now, it would be a Seurat - little dabs of color all joining into some form, which I have to stand far from to understand it's form. But I'm so busy painting that I can't stand back. Dab here, fill in the weave there. Red, black, brown, green. I look forward to when I can stand back a little and see what I've created. But for now I keep dabbing. In the end, this is the list, a list of my dad's clothing:
I chose a tie for my husband, with my dad's knot still in it.
The clothes are all out. I proceed to pull down an old slide projector. Endless travel bags. Shoe polish kits. Old perfume and faded yarmulkes. Empty watch repair envelopes, the ones I used to carefully log into my dad's record book when I was old enough to be trusted with the task.Two hours later, the closet is empty. I tell my mom I’ll take care of the rest, not wanting her to have to watch the clothes get placed into black garbage bags.
I fold the clothes and put them inside the bags, six in all. Before I close up the bags, I put my head close to the opening and take in one last deep breath. I carry the bags down and place them neatly in a corner of the garage, which will be picked up some time next week.
We wear clothes for many reasons: to keep us warm or cool, to communicate to the world a story of who we are. I'm happy that as I slip my arms into the few pieces traveling home with me, I will feel the memory of his arms having entered in and out of these same clothes many times. I will wear my dad's story in the form of a red v-neck sweater, a brown cashmere pull over and a paisley raw silk shirt, as another way of keeping his story going.
But I have to wonder, wow long will it take for the form of his life that is in every piece of clothing, to take the shape of another? If I was walking down the street in Los Angeles, or in Longmont, would I recognize a shirt, a sweater, his softly worn Levis on someone else's body? Will I look for them? For him in them? How far will his clothes travel? And what will I feel toward that person lucky enough to wear my dad’s clothes - kinship?
I hope I will and to that I add: Amen.
I'm under the spell of Twitter - love my TweetDeck, DMs, the whole kit and caboodle. I'm following and getting followed by some fantastic folks and want to send a shout out to Melanie Notkin, Auntrepreneur and founder of SavvyAuntie.com, the "first community for cool
aunts, great aunts, godmothers and all women who love kids." How's that for a worthwhile cause?